Tam Gryn, author of How to Create and Sell NFTs: A Guide For All Artists, specialized in the intersection of art and industries such as technology, retail, and crypto. Her work focused on developing new creative economies, satisfying audiences’ desire for bold and genuine art experiences, and generating buzz, exposure, and foot traffic through innovative art activations.

She worked at the intersection of NFTs and Public Art with partners such as Mad Arts and CODAMADE. She was a key member of the curatorial team at Clitsplash, a female-founded artistic collective advocating for liberation, equal representation, and diverse perspectives on human sexuality.

Throughout her career, Tam led cross-functional teams and curated impactful projects. As the former Director of Fine Arts at Rally.io, she guided artists in building autonomous crypto economies through NFTs and social tokens. She served as Head Curator at SHOWFIELDS, where she bridged art and retail through immersive brand collaborations and experiential content.

Tam shared her expertise as a Guest Lecturer at Harvard Business School and the New York Academy of the Arts. She contributed to Decentralized Arts by BanklessDAO and Women in Web3 Equity Miami. Her curatorial background included serving as Head of the Curatorial Department at the Artist Pension Trust, Head Curator for RAW POP UP, and Founder of Culturadora. She also sat on the board of the Kulturespace Foundation in Berlin.

Originally from Venezuela, Tam studied Art History at the Sorbonne University. She later specialized in Politics and Diplomacy at the Reichman University in Israel and earned an M.A. in Negotiation and Conflict Resolution from Tel Aviv University. Fluent in five languages, she has successfully navigated projects and collaborations in diverse international settings.

Tam’s independent curatorial work included organizing major exhibitions, large-scale cultural events, and charity fundraisers. Her projects hosted over 300,000 attendees, included more than 300 site-specific art installations, and reached 13+ billion online impressions globally. Her latest projects included curating cultural programming at The Moore Building, overseeing curatorial strategy for the Museum of Sex in Miami, and collaborating with various real estate developments to integrate art and culture into architectural spaces.

Her clients and collaborators included The Brooklyn Museum, The Whitney Museum, La Biennale di Venezia, Sotheby’s, United Talent Agency (UTA), Polygon, NFT.nyc, The Brooks Museum, Zsona Maco, Museo de Arte Contemporáneo de Puerto Rico, McCann WorldGroup, Surface Magazine, Locust Projects, Swire Group, Glossier, Heineken, The Glenlivet, Diptyque, Evian, SVA School of Visual Arts NYC, NeueHouse, Downtown Development Authority Miami, Miami Design District, Lincoln Rd, VICE, Paper Magazine, CNN, CULTURED Magazine, The Bakehouse Art Complex, The LA Art Show, Untitled Miami, Inga Gallery, University of Miami, and Brickell City Centre, among others.

Tam’s work in integrating art, technology, and strategic partnerships defined her vision of producing transformative cultural experiences worldwide.